Installation view of Louise Bourgeois: An Unfolding Portrait. She also benefited from printmaking’s collaborative nature, which often entails the encouragement of publishers and the assistance of expert technicians. Installation view of Louise Bourgeois: An Unfolding Portrait. Art was her tool of “survival,” she said, and her “guarantee of sanity.” This exhibition highlights the themes and motifs that served as visual metaphors for Bourgeois and recur in her artistic practice across seven decades. When Bourgeois turned definitively to sculpture, she left painting behind, but returned to printmaking many decades later, in the late 1980s. The exhibition Louise Bourgeois: An Unfolding Portrait, on view at MoMA until January 28, 2018, celebrates that publication. MoMA EXPLORES LOUISE BOURGEOIS’S PRINTS AND BOOKS, A LITTLE- KNOWN YET INTEGRAL COMPONENT OF HER PRACTICEWith Some 300 Works, the Survey Sheds New Light on Bourgeois’s Creative Process and Places Her Prints and Illustrated Books in the Context of Related Sculptures, Drawings, and PaintingsFloor Three, The Edward Steichen Galleries, and Floor Two, The Donald B. and Catherine C. Marron AtriumNEW YORK, August 7, 2017—The Museum of Modern Art’s Louise Bourgeois: An Unfolding Portrait, on view September 24, 2017, through January 28, 2018, is the first comprehensive survey of Bourgeois’s prints and illustrated books. There seems to be a problem with the connection.
The Museum of Modern Art, New York, September 24, 2017–January 28, 2018. Photo by Martin Seck for the Museum of Modern Art © 2017 The Easton Foundation/Licensed by VAGA, NY. In the clip, Bourgeois is seen turning the book’s pages, patting and smoothing them as she views the volume from beginning to end. MoMA has a prized archive of this material, and the exhibition will highlight works from the collection along with rarely seen loans.Bourgeois said there was no “rivalry” between the mediums in which she worked, noting that “they say the same thing in different ways.” At MoMA, her prints and illustrated books will be seen in the context of related sculptures, drawings, and paintings, and within thematic groupings that explore motifs of architecture, the body, and nature, as well as investigations of abstraction and works made from old garments and household fabrics.Bringing together some 300 works, the exhibition celebrates MoMA’s archive of Bourgeois prints as well as the completion of the online catalogue raisonné, We apologize. There seems to be a problem with the connection. It places these mediums within the context of the artist’s overall practice and sheds new light on her creative process.
Louise Bourgeois’ work explores psychological subjects such as fear, pain, desire, and trauma, inspired by her childhood in France. She resurrected her old printing press from the 1940s, and eventually added a second, both located on the lower level of her home/studio.The thematic sections of this exhibition bring together prints from both periods of Bourgeois’s engagement with the medium. Both Mitchell and Hustvedt have written on Bourgeois and bring new insights to interpreting her work. There seems to be a problem with the connection. Photo by Martin Seck for the Museum of Modern Art © 2017 The Easton Foundation/Licensed by VAGA, NY. Bourgeois’ creative process is the organizing principle behind the exhibition. Bourgeois’s printed oeuvre, a little-known aspect of her work, is vast in scope and comprises some 1,200 printed compositions.
(She married in 1938.) The Museum of Modern Art, New York, September 24, 2017–January 28, 2018. Louise Bourgeois: An Unfolding Portrait MoMA’s expertly curated exhibition of Bourgeois’ prints rescue the artist from her legend, revealing her drawings to have incubated, formulated and unleashed the emotions that would be entrapped in the fame of her sculpture. The website will be available to Museum visitors during the course of the exhibition at a special computer kiosk and seating area.Additional support is provided by the Annual Exhibition Fund.MoMA Audio is supported by Bloomberg Philanthropies.In conjunction with the exhibition, the Museum will host a conversation between psychoanalyst Juliet Mitchell, renowned author of Psychoanalysis and Feminism, and Siri Hustvedt, a celebrated novelist and essayist whose most recent work is A Woman Looking at Men Looking at Women.
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