Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. The lens will extend its length as it is zoom towards 10mm and 24mm; by 24mm, the lens has extended an additional half an inch. The Nikon 24mm f/1.8G has a very similar build quality as other f/1.8G modern primes. (purchased for $800) Imaging Resource © 1998 - 2020. I've owned the tokina 11-16, nikon 12-24 and presently have the nikon 10-24. As a proud owner of the Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5, I was pretty surprised to see that Nikon was offering a DX wide angle zoom for less than half the price of that lens, even if it is somewhat slower and a not quite as long.The truth is, I don’t need my wide-angle lenses to be super fast anyway, since I’m mostly shooting landscapes and architecture, and mostly on a tripod. At its widest point of 10mm, central sharpness is just shy of 1.5 blur units, while corner sharpness peaks at 3 blur units in the extreme corners. While the lens bears a striking resemblance to the Tamron 10-24mm ƒ/3.5-4.5, the two use different optical formulae.On Nikon digital camera bodies with DX-class imaging sensors, the lens provides an equivalent field of view of 15-36mm. Zooming out, corner softness reduces to 2 blur units: images produced between 12-24mm with the lens wide open are very similar in sharpness.Stopping down slightly improves image sharpness further. Two years later, Sigma produced a zoom lens that could go even wider: the 10-20mm ƒ/4-5.6.
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations. The same can definitely not be said of the Sigma, which proved soft throughout the range (yes it improved as you got to F8, but it was still inferior to the Nikon). These lenses will be designated with the abbreviation IF on the lens barrel. This lens isn't a ''constant'' lens, in that as you increase the focal length, both the maximum and minimum aperture sizes decrease.
This enables high-speed autofocusing that's extremely accurate and super quiet. The AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED is an advanced lens optimized for DX-format Nikon D-SLR cameras. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder. Nikon AF-S FX NIKKOR 16-35mm f/4G ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras Tokina 11-16mm f/2.8 AT-X116 Pro DX II Digital Zoom Lens (AF-S Motor) (for Nikon) I find it to be sharp and well built - no regrets here. The ring is mounted closer to the lens mount. Please try again in a few minutes.Something went wrong. At first I was thinking of getting the 12-24 but in the end I have found myself shooting more in the 10mm so the wider the better. Here's what happens: 10.5mm DX fisheye shot on an FX full-frame camera. The Nikon AF-P DX Nikkor 10-20mm f/4.5-5.6G VR lens is ultra-wide, easy to carry, sharp, and very affordable, but it does have some shortcomings. Use on Film Cameras. With the widest end of 10mm covering a 109° angle of view (nearly fisheye), the AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED delivers dramatic perspectives for a creative edge. In this in-depth field review, we are going to have a look at the new Nikon wide-angle DX lens Nikkor 10-20mm f/4.5 – f/5.6 AF-P ED VR, which was launched in June 2017. It balances well on the d90 and build quality similar to VR 18-200. It’s also versatile enough to focus on subjects as close as 0.8-ft. And thanks to a host of Nikon technologies, you can be certain that your world will always be captured with remarkable clarity.The AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED is an advanced lens optimized for DX-format Nikon D-SLR cameras. The front element does not rotate during focus or zoom operations.The petal-shaped lens hood reverses onto the end of the lens for storage; the interior of the hood is a smooth, matte finish.The VFA target should give you a good idea of sharpness in the center and corners, as well as some idea of the extent of barrel or pincushion distortion and chromatic aberration, while the Still Life subject may help in judging contrast and color. Tamron and Tokina quickly followed suit.Nikon appears to have finally taken notice, with the 2009 release of the 10-24mm ƒ/3.5-4.5 DX lens. DX coverage; Autofocus (in-lens focus motor), internal focus; 14 elements in 9 groups, 3 aspherical, 2 ED elements
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